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Past Premium ReportsBrowse selected past Akoroko Premium reports below. Each listing includes the report title and opening excerpt. Full access is available by subscription or through one-time archive purchase.
PremiumNetflix Touts "Member Quality" Engagement Metric + An AI Push That Touches Everything
Netflix's Q1 2026 earnings call introduced a new internal engagement metric — "member quality" — while signalling an AI integration strategy that the company says now touches content discovery, production tools, and customer experience. This report examines what both developments mean for African content on the platform.
PremiumWhat 18,912 Articles Show About How African Film Was Covered in Q1 2026
A quantitative analysis of 18,912 articles published about African film in the first quarter of 2026 reveals patterns in geographic focus, genre coverage, and the outlets driving the conversation — with implications for how the industry understands its own visibility.
PremiumWhat Are We Really Saying When We Say There Is "No Data" on African Film Activity?
The phrase 'no data' is frequently invoked in discussions of African cinema, but a closer examination reveals that data often exists — it is scattered, inaccessible, or simply not being looked for in the right places. This report interrogates what the claim really means and what it obscures.
PremiumCannes 2026: Africa's Strongest Decade at the Festival and Market Keeps Moving
Africa enters Cannes 2026 with its strongest presence in the festival's history, building on a decade of growing selection, co-production deals, and market activity that has repositioned the continent as a significant force in international cinema.
PremiumSouth African Market Canal+ Just Bought Was Weaker Than It Looked — New Government Report
A new South African government report reveals the pay-TV market Canal+ acquired through its MultiChoice takeover was in steeper decline than publicly disclosed, with subscriber losses and revenue contraction raising fresh questions about the deal's strategic rationale.
PremiumWhat Google Maps Can Tell Us About How Africans Watch Films
Google Maps data on cinema locations across Africa reveals patterns in how and where Africans access film exhibition infrastructure — and what the gaps tell us about the continent's broader screen economy.
PremiumWeekly Wrap-Up: April 6–April 12, 2026
This week's dispatch covers the latest developments across African film, television, and digital media markets, including policy announcements, industry partnerships, and market trends shaping the continent's creative economy.
PremiumNamibia's New 'Film and Creative City' Plan Comes With Rare Official Film Sector Data
Namibia has announced a new 'Film and Creative City' initiative as part of its broader Vision 2030 development strategy. The announcement includes rare official film sector data that provides insights into the country's production landscape and growth potential.
PremiumGhana's Film Authority Tours Abandoned Cinemas in Push to Revive Exhibition Infrastructure
Ghana's National Film Authority is conducting tours of abandoned cinema facilities across the country as part of a broader initiative to revive the nation's theatrical exhibition infrastructure. The effort reflects growing recognition of cinema's role in supporting local film distribution and audience development.
PremiumFive Years After the Seminal UNESCO Report — An Update
Five years after the UNESCO report on African cinema, new data and developments have reshaped the landscape. This update examines how the continent's film sector has evolved, what has changed, and what remains to be addressed in African cinema's ongoing development.
PremiumMultiChoice Puts a Number on Its South African Content Obligation: R20.6 Billion Over Three Years
MultiChoice has announced a R20.6 billion investment commitment over three years to meet its South African local content obligations. The announcement provides clarity on the company's financial commitment to supporting local production and reflects ongoing regulatory pressure in the region.
PremiumFrench-Speaking Belgium Deepens Africa Ties, Per 2025 Report
The Centre du Cinéma et de l'Audiovisuel (CCA), the public institution that funds and promotes film and audiovisual production in French-speaking Belgium, recorded several new connections with African countries in 2025, according to its annual report. The developments include a formal co-production treaty with Côte d'Ivoire, ongoing negotiations with the DRC, and exploratory analysis of a potential agreement with Benin.
PremiumMapping Africa's Co-Production Treaty Landscape
Our April 2026 updated 54-country registry documents each country's level of activity, confirms agreement-level arrangements, separately verifies official non-treaty cooperation agreements, and identifies gaps where no official record has yet to be located. 21 African countries have confirmed official agreement-level film or audio-visual co-production status, plus two with separately confirmed official non-treaty cooperation instruments.
PremiumWeekly Wrap-Up: March 29–April 5, 2026
A contemplative week thinking deeply about where we are in the evolution of African film, television, and digital media activity across the continent. Updates on African Screen Intelligence beta testing, AFP Dispatch development, and the week's dispatches.
PremiumAbou Sangaré and the Gap Between a César and a Career
Abou Sangaré's César Award represents a milestone recognition for African cinema, yet the gap between award recognition and sustained career opportunity remains significant. This report examines what the César means for Sangaré and what it reveals about the broader ecosystem for African filmmakers seeking international visibility and career advancement.
PremiumNigeria Just Announced Another Creative Sector Fund. What Is the €100 Million For?
Over the past two years, Nigeria's federal government has announced multiple creative-sector funding and infrastructure plans, often with large headline figures and limited public follow-through. A new Instagram announcement from the culture ministry has now added another €100 million figure to that picture. What is it actually for?
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