Morocco’s film funding has awarded 24.66 million MAD (approximately $2.71 million USD) in the third session of 2025 of the Centre Cinématographique Marocain’s Production Support Commission. The session reviewed more than 100 submissions across categories and approved 31 projects in total, covering fiction features, short films, documentaries, and writing or rewriting support.
The Commission has published the full list of projects.
I. FICTION & DOCUMENTARY — POST-PRODUCTION
- “Le Regret / ندم” — 100,000 MAD (≈ $11,000)
Short film; Public Media Prod and Events; Director: Abdelilah Moujani - “Rakm Majhoul / رقم مجهول” — 100,000 MAD (≈ $11,000)
Short film; Gala Prod; Director: Hamid Ouyadri - “لغدير / Lagdir” — 200,000 MAD (≈ $22,000)
Documentary; La Casa Production; Director: El Hafd Malaine
II. FICTION — PRE-PRODUCTION
- “Cours, et sans tristesse” — 3,700,000 MAD (≈ $406,600)
Ali’N Productions; Director: Nabil Ayouch - “Les Pâtissières de Okacha” — 3,500,000 MAD (≈ $384,600)
Elite Films; Director: Kamal Kamal; Screenplay: Asmae Kebir, Kamal Kamal - “La Corde” — 3,100,000 MAD (≈ $340,700)
Boostart Production; Director: Abdelilah Zirat; Screenplay: Fouad El Moussaoui, Abdelilah Zirat - “Maman Je T’aime / يما نبغيك” — 2,700,000 MAD (≈ $296,700)
Zorba Prod; Director: Abdelilah El Jaouhary - “Nulle Part Ailleurs Qu’ici / لا مكان غير هنا” — 2,500,000 MAD (≈ $274,700)
Jana Prod; Director: Selma Bargach - “الضحك ورا الميت خسارة” — 2,500,000 MAD (≈ $274,700)
JR Prod; Director: Rabii Chajid; Screenplay: Mohamed Bassou - “The Last Move / حرب الرقعة” — 200,000 MAD (≈ $22,000)
Short film; ADM Production; Director: Rashid Ait Daoud - “Des Âmes Coupables / أرواح مذنبة” — 200,000 MAD (≈ $22,000)
Short film; DS Prod; Director: Naima Ziani; Screenplay: Driss Sawab
III. SCREENWRITING & REWRITING SUPPORT
Screenwriting
- “Le Dernier Lion” — 100,000 MAD (≈ $11,000)
Feature screenplay; Liberté Films; Sara Sellami, Vincent Melilli - “Awisha & Al-Haraz” — 100,000 MAD (≈ $11,000)
Feature screenplay; Magic Pictures; Mohamed Hicham Regragui - “La Dernière Chance” — 90,000 MAD (≈ $9,900)
Feature screenplay; Lumiere Films; Zakia El Hamdi - “Dorigin” — 80,000 MAD (≈ $8,800)
Feature screenplay; La Prod; Meriem Abid - “Laissées-pour-Compte” — 80,000 MAD (≈ $8,800)
Feature screenplay; Arts et Techniques Audiovisuels; Kenza Tazi - “La Dernière Guerrière de l’Atlas” — 80,000 MAD (≈ $8,800)
Feature screenplay; Agate Films; Mohamed Bouftas - “À l’Ombre de la Lumière” — 90,000 MAD (≈ $9,900)
Documentary development; IrisProd; Meriem Addou - “على حافتي طنجة وغرناطة” — 80,000 MAD (≈ $8,800)
Documentary development; Afro Morocco Evalouzi; Mounia Elgoumi
Rewriting (Fiction)
- “Potes” — 90,000 MAD (≈ $9,900)
Tamawayt Production; Director: Hamza Atifi - “Bin Lemdoune / بين المدون” — 90,000 MAD (≈ $9,900)
Plot Pictures; Director: Mohamed Mounna; Screenplay: Ahmed Eddafiri - “Ce Passé-Là / Le Loup Noir” — 80,000 MAD (≈ $8,800)
Heracles Productions; Directors: Amna Ferhati, Jilali Ferhati - “Or vs Argent” — 80,000 MAD (≈ $8,800)
Golden Movie Production; Director: Mohamed Karrat - “Les Échos du Passé” — 80,000 MAD (≈ $8,800)
Onepic Production; Director: Ahmed Baidou - “Jelloul, Sfia et la Colline” — 80,000 MAD (≈ $8,800)
Bouchta Vision; Director: Mustafa Farmati
IV. SAHRAWI HASSANI DOCUMENTARIES — PRE-PRODUCTION
- “الذهب / Al-Dhahab” — 800,000 MAD (≈ $87,900)
Zoom 313; Director: Mohamed Zeghou - “ديلول / Dailoul” — 800,000 MAD (≈ $87,900)
LMK Production; Director: Said Slimani - “CAMPANIA / الكوبانية” — 800,000 MAD (≈ $87,900)
Media Prod; Director: Amin Benslimane - “L’Eau de Noé” — 750,000 MAD (≈ $82,400)
Espace Evenement; Director: Mariam Ait Belhoucine - “Dame Argane du Désert / سيدة أركان بالصحراء” — 750,000 MAD (≈ $82,400)
Agate Films; Director: Mohamed Fadel Cheikh Maoulainine - “Pacou / باكو” — 750,000 MAD (≈ $82,400)
Assdam Vision; Director: Sidi Salek El Boudnani
Documentary Rewriting
- “رحلة الترفاس” — 50,000 MAD (≈ $5,500)
N-Films; Director: Noureddine Agharas; Screenplay: Ahmed Mitraq
Morocco is one of a limited number of African countries that has a fully functioning, centralized national film body paired with a recurring public funding scheme.
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