As Africa (broadly) enters what I believe is a new phase (still to be confirmed) of cinematic development and international recognition, the role of film criticism in this context becomes increasingly important.
Author: Tambay A. Obenson
Land Allocated for Idris Elba’s Film Studio in Zanzibar: Unpacking the Hype and Reality
While these initiatives reflect a broader trend of considerable attention paid to Africa’s filmmaking landscape, it’s crucial to consider them critically and realistically, particularly within each country’s context.
THE BATTLE FOR LAIKIPIA: The Impact of Colonialism and Climate Change on Land Disputes in Kenya (Trailer + Theatrical Debut)
“The Battle for Laikipia” is a timely documentary that examines land rights, colonialism, climate change, and identity in Kenya’s Laikipia region.
Personalized Akoroko Premium Subscriber Sessions
Just over a month ago, as part of my commitment to enhancing the experience for subscribers, I introduced a feature based on feedback and the inquiries I receive, especially on platforms like LinkedIn. It became clear that there was a desire for more personalized interaction.
What is a “Film Industry” in the African Context?
As a journalist focused on the African film and television landscape, I often pause when referring to an African country’s “film industry.” In these moments, I attempt to come up with a more realistically descriptive term.
DAHOMEY and ON BECOMING A GUINEA FOWL Get Awards Season USA Release Dates
Awards season campaigns for both are very likely. I have Nyoni’s film as Zambia’s submission for Best International Feature Film Oscar consideration. Although her debut, “I Am Not a Witch” represented the UK.
African Titles Selected for Book Adaptation Rights Market (BARM), at 2024 Venice Production Bridge
Included in my coverage is the Book Adaptation Rights Market (BARM), part of the Venice Production Bridge, which facilitates connections between publishers, literary agents, authors, producers, directors, and screenwriters.
On the Re-Release of Denis’ NO FEAR, NO DIE, De Bankolé, Descas, Black Masculinity, and Immigrant Identity
It led me to broader observations about their roles in cinema and representation and prompted an analysis that attempted to connect “S’en fout la mort (No Fear, No Die)” to larger themes and cinematic trends.
Nigerian Government Stepping Up? Insights from the 2024 Cannes Marché du Film
Ultimately, one can infer that efforts are being made at the government level to support its film sector, against some challenges.
The Emergence of Women-Focused African Film Festivals
A surface observation, but one that likely aligns with current realities. As these festivals evolve, they play an increasingly key role in reshaping the African film landscape.