Hollywood’s history, despite its challenges, provides a wealth of lessons that could equip evolving African film industries to better engage with international markets and partnerships, potentially playing a significant role in elevating African cinema to a global stage.
Author: Tambay A. Obenson
THE AFTER: Charting Misan Harriman’s Journey from Renowned Photographer to Newly Minted Filmmaker (Interview)
British-Nigerian photographer Misan Harriman, renowned for his evocative portraits, spoke to Akoroko about his ventures into filmmaking, marking his directorial debut with a Netflix-backed short starring David Oyelowo.
Nigeria: Jos “Film Village” and Lagos “Film City” as Emerging Production Hubs?
Both projects aim to develop the Nigerian film industry, supporting local talent, and boosting economic growth. However, they differ in scale, specific location, and their proposed impact.
THE BLACK BOOK: Nigerian Filmmaker Editi Effiong Talks Debut, Dollars, and the Drive Ahead
Effiong shares insights on the post-release ride of his feature directorial debut, global recognition, and his bustling future endeavors.
MAMI WATA: Folklore Reimagined in a Contemporary Setting
In ‘MAMI WATA,’ C.J. Obasi navigates ancient folklore and modern conflict, exploring the spiritual deity in a contemporary setting. The film highlights the balance between tradition and modernity, reflecting the dual nature of water and the enduring legend of Mami Wata.
PALAVER: At the Intersection of British Imperialism and Nigerian Cinema
The complexities of PALAVER, a 1926 British film set in Nigeria, its historical context, racial dynamics, and place in Nigerian cinema history.
OUR FATHER, THE DEVIL: Eight (8) Reasons to See Ellie Foumbi’s Auspicious Feature Debut – Akoroko
As the film is being released by Fandor and Cineverse in select U.S. theaters, here are compelling reasons why “Our Father, the Devil” is a must-watch.
A Journey Through Sight and Sound’s Top 100 Films and Their African Complements (90 to 100) — Akoroko
A showcase of the universal power of cinema across borders and cultures.
Vieyra & Balogun: African Cinema’s “Parisian Pioneers”
Explore the cinematic legacies of African filmmakers Paulin Vieyra and Ola Balogun, who both studied in Paris and produced pioneering films that challenged colonial narratives.
A Journey Through Sight and Sound’s Top 100 Films and Their African Complements (84 to 90) — Akoroko
A showcase of the universal power of cinema across borders and cultures.