Author: Tambay A. Obenson

DEMBA Berlinale 2024 Review: A Slow Burn, Deep Impact Examination of Grief’s Unseen Depths in a Senegalese Story

Through DEMBA, filmmaker Mamadou Dia contributes to a vital dialogue on the significance of acknowledging and addressing mental health issues in a culturally sensitive manner, particularly in an African context, offering insights into the healing power of community while recognizing the solitude that often accompanies profound grief.

DAHOMEY Berlinale 2024 Review: In Mati Diop’s Multilayered Fantasy Documentary Statues Live On

DAHOMEY can also be seen as an imaginative extension and critique of the themes presented in STATUES ALSO DIE by Chris Marker, Alain Resnais, and Ghislain Cloquet. While the latter focuses on how African artifacts lose their cultural and spiritual significance when displayed in Western museums, stripped of their original contexts, DAHOMEY explores the potential for these artifacts to regain their “life” through the process of repatriation and recontextualization within their indigenous culture.