Category: The Latest

The histories of individual African cinema cultures remain largely undocumented, even in written form, often overshadowed by broad “African film history” texts and occasional specialized focus academic studies, which rarely reach general audiences. This makes Timothy Niwamanya’s “A History of Film in Uganda” especially valuable as a visual record capturing a specific national film history […]

The 2025 edition of FESPACO (Festival Panafricain du Cinéma et de la Télévision de Ouagadougou), February 22 to March 1, could be its most pivotal yet; certainly of the 21st century. Festival organizers have announced that Souleymane Cissé (Mali) will serve as jury president, with Judy Kibinge (Kenya) heading the documentary jury. New initiatives include […]

This inaugural report, which I received last week, titled “Côte d’Ivoire Cinema Box Office Number 1 – November 2024” (translated from French), provides extensive data from 2019-2024. It offers a comprehensive view of the country’s cinema market structure, audience preferences, and industry evolution. At 19 pages, it’s a fascinating study with much to analyze and […]

My recent travels across the continent—from Cape Town (South Africa) to Lagos (Nigeria), Kigali (Rwanda), and now Nairobi (Kenya) where I currently sit—have placed me in an endlessly contemplative state about the continent’s film ecosystems. These journeys have inspired various conversations, thoughts, and ideas that I’ve been thinking through publicly via Akoroko Premium newsletters to […]

US studio A24 has unveiled the first trailer for Rungano Nyoni’s “On Becoming A Guinea Fowl,” with a new theatrical release date set for March 7, 2025. The haunting family drama, which earned Nyoni the Best Director prize at Cannes 2024, arrives with momentum, following Picturehouse Entertainment’s acquisition of UK-Ireland distribution rights. Initially slated for […]

Afreximbank’s October 18 announcement of a doubled $2 billion commitment to African creative industries continues to reverberate across the continent, with filmmakers and other creative professionals voicing familiar frustrations. From its launch in 2020 with an initial commitment of $500 million, Afreximbank’s CANEX (Creative Africa Nexus) funding pool grew to $1 billion in 2022 and […]

I landed in Nairobi, Kenya a few hours ago, after a 90-minute flight from Kigali, Rwanda, where I spent all last week primarily participating in the Some Fine Day Pix / GIZ Moving Pictures film distribution initiative. I will be in Nairobi for the rest of the month, marking my fourth major African city visit […]

In vibrant Kigali, Rwanda, a convergence of creativity, innovation, and opportunity is set to take place. Masharket, the Kigali International Content Market, returns for its second edition from November 7th to 9th, 2024, alongside the 10-year-old Mashariki African Film Festival (MAFF). Building on the success of its inaugural event, Masharket 2024 looks to further establish […]

“The Cost of Media Stereotypes to Africa: The Relationship Between Media, Investment, and Economic Development” is a report produced by the non-profit “Africa No Filter,” and published in October 2024. The report investigates the economic impact of persistent negative stereotypes in global media coverage of Africa, specifically examining how biased reporting influences investor perceptions and […]

With Halloween just a few days away in the USA, where I am based, it’s a moment (sometimes a week, a month, or more for some) that many embrace with festivities that include costumes, candy, and communal frights. For me, it remains more of a spectacle observed than participated in. The Western concept of Halloween […]