For followers on the other side of the Atlantic, who may not be informed on the current Hollywood strikes, specifically those involving the Writers Guild of America (WGA) and the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA), here’s a brief summary:
WGA
– The WGA has been on strike since May 2, 2023, after the expiration of the previous three-year contract with the Alliance of Motion Pictures and Television Producers (AMPTP), which represents Hollywood’s biggest production companies.
– The WGA is demanding better compensation for writers in the era of streaming, as well as more job security, larger writers’ rooms, and limits on the use of artificial intelligence (AI) in the writing process.
– The WGA strike is the largest interruption to American TV and film production since the COVID-19 pandemic in 2020, as well as the largest work stoppage the WGA has performed since the 2007–08 strike.
SAG-AFTRA
– SAG-AFTRA went on strike on July 14, 2023, after months of negotiations with the AMPTP.
– SAG-AFTRA is negotiating for a number of things, including increased pay following the rise of streaming and better working conditions.
– At the center of it all, though, is artificial intelligence. The rise of AI is a huge sticking point for both unions, each concerned that the technology could eventually replace some of its workers.
– For the first time in six decades, both of these unions are on strike at the same time.
Context
These strikes are part of a broader historical narrative of labor rights and worker compensation, shaped by a variety of factors, including economic conditions, technological advancements, and shifts in the media landscape. The COVID-19 pandemic has exacerbated many of these issues, leading to job losses, production shutdowns, and increased pressure on workers. This has heightened tensions and contributed to the current strikes.
The issues at stake are complex and multifaceted, reflecting the broader challenges facing workers in the 21st century.
Ripple Effects
The strikes could have far-reaching implications for the global entertainment industry, including, in this case, African film and TV markets. Consider relatively new expansions into the continent by the likes of Disney, Netflix, and Amazon to start; each partnering with African creators to develop and distribute projects for the continent and beyond.
The strikes could affect the supply and demand of content from and for African audiences. On one hand, they could create a content gap in the US market, which could open up opportunities for foreign (in this case African) filmmakers and producers to showcase their work and potentially reach a wider audience.
On the other hand, the strikes could also disrupt the production and distribution of content that is made by or for African markets, especially if they involve collaborations with US studios or streamers.
Moreover, the strikes could reduce the availability and variety of Hollywood content in African markets, especially if they last for a long time or affect major releases. This could create a demand gap for audiences who prefer or are accustomed to Hollywood movies and TV series, and who might not find enough substitutes from local or regional sources.
This could also affect the revenue and profitability of African distributors, exhibitors, and broadcasters who rely on Hollywood content to attract and retain customers.
The actual outcomes will depend on a variety of factors, including the duration of the strikes and the responses from the various stakeholders involved.
Support
You can support the strike by donating to the various funds set up by each union.
– SAG-AFTRA links to an Emergency Financial Assistance and Disaster Relief Fund on its website.
– WGA lists various ways to support writers on its website.